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As they both finally leave the elevator, the first conversation they have, is before entering George’s Laurent office, they are alone and a glass door separates them from Georges office, which conveys the social barrier. This glass door is a division of George’s appearance and reality: the division of who he really is and who he pretends to be in his public life. Audience is not able to see Majid’s son gestures and expressions, as the shot is again an over the shoulder shot. The idea of relative size is clearly showed to the audience at this point, as George is represented in a weak position compared to Majid’s son. Georges is constantly trying to avoid the confrontation with Majid’s son, mainly because everybody knows him, and he don’t want them to discover who he was and who he really is.
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